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Music Cognition and/or Computation

Calculated based on number of publications stored in Pure and citations from PlumX
20062024

Research activity per year

Personal profile

Biography

I am Associate Professor of Music Cognition and Computation, and the Director of Academic Programs for Music and Music Therapy in the School of Humanities and Communication Arts. I am also a member of the MARCS Institute for Brain, Behaviour and Development where I lead the Music Science Lab.

My research is at the interface of music, cognitive science, mathematics, computing, and their implications for creativity, education, and well-being. My research includes:

  • cross-cultural music cognition (informed by field experiments)
  • cognition and creative implications of familiar and unfamiliar musical rhythms and harmony (including microtonal)
  • cognitively informed interfaces and algorithms for composing, performing, and generating music.

I am a musician, composer, and occasional performer, and have developed several music software applications (including the widely used XronoMorph rhythm generator), and designed and built new musical interfaces in public art, therapeutic, and educational settings.

Previous positions

Academic Employment

  • 2024– Associate Professor, School of Humanities and Communication Arts, Western Sydney University.
  • 2023–24 Senior Research Fellow, School of Humanities and Communication Arts, Western Sydney University.
  • 2020–23 Senior Research Fellow, MARCS Institute for Brain, Behaviour and Development, Western Sydney University.
  • 2018–20 Senior Postdoctoral Research Fellow, MARCS Institute for Brain, Behaviour and Development, Western Sydney University.
  • 2013–18 Postdoctoral Research Fellow, MARCS Institute for Brain, Behaviour and Development, Western Sydney University.

Education

  • 2009–13 PhD, The Open University, UK.
  • 2007–09 Masters (Musicology), University of Jyväskylä, Finland.
  • 1985–88 Bachelors (Fine Art), Sheffield Hallam University, UK.

Awards and Grants

  • 2025–28 $914,548 ARC Discovery Project. CIs: Milne (lead), Dean, Schubert, Ingram, Sarvasy; PI: Eerola.
  • 2022–23 €12,940 (~$21,000) USIAS, Strasbourg University. Three-month research visit with CNRS Directeur de recherche Moreno Andreatta. CI: Milne 100%.
  • 2020–21 $20,000 ARC Transdisciplinary Innovation Grant. CIs: Escudero 90%, Milne 10%.
  • 2019 $6,500 Inner West Council (Sydney). Rhythmotron (art/music installation) at EDGE Lilyfield, Ashfield, and Balmain. CIs: Milne 50%, Taylor 50%.
  • 2018–19 $29,739 Department of Family and Community Services, NSW Gov. Health and cognitive benefits of music-making with novel technologies in an aged-care setting. CIs: MacRitchie 33%, Milne 33%, Taylor 33%.
  • 2017 $17,181 Art Futures Ltd. Rhythmotron (music/art installation) at CoLABS “Art and Science Collide”, Bungarribee Park, Western Sydney. CIs: Milne 33%, Taylor 33%, Stanton, 33%.
  • 2017–20 $369,000 ARC DECRA. CI: Milne 100%.

Expertise related to UN Sustainable Development Goals

In 2015, UN member states agreed to 17 global Sustainable Development Goals (SDGs) to end poverty, protect the planet and ensure prosperity for all. This person’s work contributes towards the following SDG(s):

  • SDG 3 - Good Health and Well-being
  • SDG 4 - Quality Education
  • SDG 17 - Partnerships for the Goals

Related links

Qualifications

Doctor of Philosophy

Master of Arts

External positions

School-based member, The MARCS Institute for Brain, Behaviour and Development

9 Nov 2013 → …

Research keywords

  • music cognition
  • music perception
  • music theory
  • sound and music computing
  • new musical interfaces
  • Bayesian regression modelling
  • mathematical psychology

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