Abstract
Conversations about the screen sector are increasingly putting industry concerns relating to commercial success, funding and quantifiable performance to the forefront – much to the detriment of more holistic discussions about film scholarship, criticism and culture. Anne Rutherford undertakes a comprehensive investigation into the shortcomings of the neoliberal tendency and, with discourse strongly influencing action, advocates for an alternative approach.
| Original language | English |
|---|---|
| Pages (from-to) | 118-125 |
| Number of pages | 8 |
| Journal | Metro Magazine |
| Volume | 201 |
| Publication status | Published - 2019 |
Keywords
- motion pictures
- motion picture industry
- neoliberalism
- Australia