Abstract
Conversations about the screen sector are increasingly putting industry concerns relating to commercial success, funding and quantifiable performance to the forefront" much to the detriment of more holistic discussions about film scholarship, criticism and culture. Anne Rutherford undertakes a comprehensive investigation into the shortcomings of the neoliberal tendency and, with discourse strongly influencing action, advocates for an alternative approach.
| Original language | English |
|---|---|
| Pages (from-to) | 118-125 |
| Number of pages | 8 |
| Journal | Metro Magazine |
| Volume | 201 |
| Publication status | Published - 2019 |
Keywords
- motion pictures
- motion picture industry
- neoliberalism
- Australia