TY - GEN
T1 - An interactive multimodal installation using real-time spectral analysis
AU - Carey, Benedict Eris
AU - Taylor, John R.
AU - Barbeler, Damian
PY - 2015
Y1 - 2015
N2 - ![CDATA[This paper describes an interactive sound and light system based on real-time analysis of an augmented musical instrument called the ‘motor bow’, that when played, makes new, unconventional, often ‘noisy’ tones. The interactive system comprises a timbre-matching engine that performs real-time analysis of the motor bow performance and algorithmically governed multi-channel diffusion of harmonically similar, but timbrally contrasting material coordinated with visual representations. This interactive installation was designed as part of the Tasmanian International Arts Festival 2015. Of primary importance was that the installation be an extension of the motor bow itself and that it work smoothly in extended performance scenarios. Particular emphasis was placed on extending emergent properties of this interference based relationship between bowed string performance and a weighted, spinning motor placed at the tip of the bow. The entire system can be viewed as an extension of an augmented instrument, one that is multimodal in nature, involving visual (a custom lighting-matrix), audio (acoustic and computer music performance) and tactile (motor bow) elements.]]
AB - ![CDATA[This paper describes an interactive sound and light system based on real-time analysis of an augmented musical instrument called the ‘motor bow’, that when played, makes new, unconventional, often ‘noisy’ tones. The interactive system comprises a timbre-matching engine that performs real-time analysis of the motor bow performance and algorithmically governed multi-channel diffusion of harmonically similar, but timbrally contrasting material coordinated with visual representations. This interactive installation was designed as part of the Tasmanian International Arts Festival 2015. Of primary importance was that the installation be an extension of the motor bow itself and that it work smoothly in extended performance scenarios. Particular emphasis was placed on extending emergent properties of this interference based relationship between bowed string performance and a weighted, spinning motor placed at the tip of the bow. The entire system can be viewed as an extension of an augmented instrument, one that is multimodal in nature, involving visual (a custom lighting-matrix), audio (acoustic and computer music performance) and tactile (motor bow) elements.]]
KW - sound
KW - computer sound processing
UR - http://handle.westernsydney.edu.au:8081/1959.7/uws:42226
M3 - Conference Paper
SP - 34
EP - 39
BT - ACMC2015-MAKE!: Proceedings of the Annual Conference of the Australasian Computer Music Association, Hosted by the Faculty of Arts and Social Sciences, University of Technology Sydney, Wednesday 18th-Saturday 21st November 2015
PB - Australasian Computer Music Association
T2 - Australasian Computer Music Conference
Y2 - 18 November 2015
ER -