TY - JOUR
T1 - Attending in complex musical interactions
T2 - The adaptive dual role of meter
AU - Keller, Peter
PY - 1999/12
Y1 - 1999/12
N2 - Complex musical interactions - such as performing in, and listening to, musical ensembles - require flexible attentional strategies. Here it is proposed that metric frameworks generated by the listener or performer function adaptively to facilitate this requisite flexibility by fulfilling a dual role. On one hand, metric frameworks serve as hierarchical templates for specifying the temporal organisation of events represented in memory, and on the other, they act as dynamic attentional schemes that guide real-time processing. Existing models of musical rhythmic behaviour typically focus on meter's role in either representation or processing. However, both perspectives need to be considered in order to understand behaviour in complex multipart musical contexts.
AB - Complex musical interactions - such as performing in, and listening to, musical ensembles - require flexible attentional strategies. Here it is proposed that metric frameworks generated by the listener or performer function adaptively to facilitate this requisite flexibility by fulfilling a dual role. On one hand, metric frameworks serve as hierarchical templates for specifying the temporal organisation of events represented in memory, and on the other, they act as dynamic attentional schemes that guide real-time processing. Existing models of musical rhythmic behaviour typically focus on meter's role in either representation or processing. However, both perspectives need to be considered in order to understand behaviour in complex multipart musical contexts.
UR - http://www.scopus.com/inward/record.url?scp=0033262470&partnerID=8YFLogxK
U2 - 10.1080/00049539908255354
DO - 10.1080/00049539908255354
M3 - Article
AN - SCOPUS:0033262470
SN - 0004-9530
VL - 51
SP - 166
EP - 175
JO - Australian Journal of Psychology
JF - Australian Journal of Psychology
IS - 3
ER -