Abstract
The focus of this paper is on the concept of the scene and its connection to Australian indie music festivals. I argue music festivals are special types of scenes as they are simultaneously part of local, translocal and virtual scenes. Firstly, I explore the notion of 'the scene' in the academic discourse. I then relate this to the idea of scenes as intensive experiences in which scene members or potential members can experience the culture and atmosphere of the scene. I argue that it is through the demanding experience of attending an Australian indie music festival that festivalgoers begin to feel a sense of connectedness and belonging to the indie music scene. This connection between ambiance and its role in the creation of scene is a new direction in this research.
| Original language | English |
|---|---|
| Title of host publication | TASA 2005 Conference, University of Tasmania, Sandy Bay Campus, 5 - 8 December 2005: Refereed Papers |
| Publisher | Sociological Association of Australia |
| Number of pages | 9 |
| ISBN (Print) | 0959846050 |
| Publication status | Published - 2005 |
| Event | Australian Sociological Association. Conference - Duration: 26 Nov 2012 → … |
Conference
| Conference | Australian Sociological Association. Conference |
|---|---|
| Period | 26/11/12 → … |
Keywords
- music festivals
- popular music
- social aspects
- Australia
Fingerprint
Dive into the research topics of 'Australian indie music festivals as scenes'. Together they form a unique fingerprint.Cite this
- APA
- Author
- BIBTEX
- Harvard
- Standard
- RIS
- Vancouver