Bellamy's rage and Beer's conscience : pirate methodologies and the contemporary university

James Arvanitakis, Martin Fredriksson, Sonja Schillings

Research output: Contribution to journalArticlepeer-review

2 Citations (Scopus)

Abstract

Over the last decade piracy has emerged as a growing field of research covering a wide range of different phenomena, from fashion counterfeits and media piracy, through to 17th century buccaneers and present-day pirates off the coast of Somalia. In many cases piracy can be a metaphor or an analytical perspective to understand conflicts and social change. This article relates this fascination with piracy as a practice and a metaphor to academia and asks what a pirate methodology of knowledge production could be: how, in other words, researchers and educators can be understood as ‘pirates’ to the corporate university. Drawing on the history of maritime piracy as well as on a discussion on contemporary pirate libraries that disrupt proprietary publishing, the article explores the possibility of a pirate methodology as a way of acting as a researcher and relating to existing norms of knowledge production. The methodology of piratical scholarship involves exploiting the grey zones and loopholes of contemporary academia. It is a tactical intervention that exploits short term opportunities that arise in the machinery of academia to the strategic end of turning a limiting structure into an enabling field of opportunities. We hope that such a concept of pirate methodologies may help us reflect on how sustainable and constructive approaches to knowledge production emerge in the context of a critique of the corporate university.
Original languageEnglish
Pages (from-to)260-276
Number of pages17
JournalCulture Unbound
Volume9
Issue number3
DOIs
Publication statusPublished - 2017

Open Access - Access Right Statement

Culture Unbound uses a so called “Attribution Non-commercial” (CC BY-NC) license (https://creativecommons.org/licenses/by-nc/3.0/) which allows users to distribute the work and to re-work it without the author's permission, but not for any commercial purposes and never without acknowledging the original author.

Keywords

  • knowledge
  • piracy
  • politics
  • universities and colleges

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