Abstract
This paper explores the way that Elizabeth Presa's artworks respond to Jacques Derrida's thought. By examining how the particularity (the beside) and its supplements (the besides) operate in Presa's works, it is shown how this movement between beside and besides is also central to Derrida's thought.
Original language | English |
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Pages (from-to) | 200-209 |
Number of pages | 10 |
Journal | Derrida Today |
Volume | 2 |
Issue number | 2 |
DOIs | |
Publication status | Published - 2009 |