Abstract
This article will investigate the paradoxical relation between iconic logos, such as the Nike logo, and architectural icons, such as the Sydney Opera House. Both logos and icons are immediately recognizable worldwide. Yet they function in seemingly radically different ways – logos as signifiers of a single company: icons as signifiers that always represent something different from exactly what they are. How can these two different ways of signification produce the same result of instant recognition?
Original language | English |
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Pages (from-to) | 175-186 |
Number of pages | 12 |
Journal | Empedocles |
Volume | 1 |
Issue number | 2 |
DOIs | |
Publication status | Published - 2010 |
Keywords
- Nike (Firm)
- Sydney Opera House
- culture
- icons
- logos (symbols)
- signification (logic)