TY - ADVS
T1 - Blue Gold Winter
T2 - Gardens: Fragments of Life and Loss
AU - Robba, Leo
PY - 2020
Y1 - 2020
N2 - Fragments: Life and Loss is an artistic enquiry that systematically explores themes of memory, impermanence, and transformation through the motif of the garden. Drawing upon visual language and observational practices, the body of work investigates how natural environments serve as metaphors for human experience, particularly in relation to loss and regeneration. The paintings communicate knowledge by documenting and interpreting the cyclical processes of change and adaptation in nature, offering insights into how landscapes reflect emotional and cultural memory. This body of work contributes to interdisciplinary dialogues between art, ecology, and the human condition through a methodical engagement with site, material, and temporality.This painting aims to situate the viewer as the painter from a lower point of view – painted seated rather than standing. The compositions is distinctive as it also positions the viewer in the shadows, mingling in the foreground. The central tall tree splits the view to add to the verticality of the composition and the soft tonal variations of the foliage describe the sombre note of autumn’s change and loss.
AB - Fragments: Life and Loss is an artistic enquiry that systematically explores themes of memory, impermanence, and transformation through the motif of the garden. Drawing upon visual language and observational practices, the body of work investigates how natural environments serve as metaphors for human experience, particularly in relation to loss and regeneration. The paintings communicate knowledge by documenting and interpreting the cyclical processes of change and adaptation in nature, offering insights into how landscapes reflect emotional and cultural memory. This body of work contributes to interdisciplinary dialogues between art, ecology, and the human condition through a methodical engagement with site, material, and temporality.This painting aims to situate the viewer as the painter from a lower point of view – painted seated rather than standing. The compositions is distinctive as it also positions the viewer in the shadows, mingling in the foreground. The central tall tree splits the view to add to the verticality of the composition and the soft tonal variations of the foliage describe the sombre note of autumn’s change and loss.
UR - https://online.fliphtml5.com/rprn/vlxx/#p=12
M3 - Visual artwork
PB - King Street Gallery on William, Darlinghurst, Sydney, N.S.W.
ER -