Capacious Methodologies for an Unravelling World: Three Research Ecologies

In this article, we take Dan Harris’ conceptualization of creative ecologies as a provocation to think individually and collectively across three very different research ecologies and the methodologies we use to navigate them. The three research ecologies originate with slippery eels and multispecies ethnography around the Hawkesbury River (New South Wales); affective filmmaking and experience of gender in Australian secondary schools: and the sociomaterialities of living and researching with/in a small girls school on a Himalayan mountainside. We articulate something of these diverse projects, asking what the concept of creative ecology does in our research practice. Together we ask: What work does inhabiting creative ecologies as concept do; and what does thinking with/in creative ecologies mean for our research work? Finally, we speculate how re-conceptualizing research as creative ecologies might offer more capacious ways to address issues of conceptual, cultural, and ecological justice in this unravelling world.