Abstract
Social media is often assumed to espouse ego-centred networking. Yet by comparing posts to Facebook and Instagram, it becomes apparent that the experience and aspirations of the individual are often embedded in structures of family and other institutions that have been historically determined. This article locates images posted by women to two social media platforms, Facebook and Instagram, within the Caribbean island of Trinidad's wider history of the significance of visibility and visuality. What individuals choose to make visible and its consequences form a visual language in which Trinidadians are entirely fluent. By extension, images are used to communicate forms of differentiated identity that are made visible through social media.
Original language | English |
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Pages (from-to) | 48-68 |
Number of pages | 21 |
Journal | Journal of Language and Sexuality |
Volume | 9 |
Issue number | 1 |
DOIs | |
Publication status | Published - 2020 |
Keywords
- Trinidad
- digital images
- ethnology
- social media
- visual communication