TY - JOUR
T1 - City of epitaphs
AU - Hicks, Megan
PY - 2009
Y1 - 2009
N2 - The pavement lies like a ledger-stone on a tomb. Buried underneath are the remains of fertile landscapes and the life they once supported. Inscribed on its upper side are epitaphic writings. Whatever their ostensible purpose, memorial plaques and public artworks embedded in the pavement are ultimately expressions of civic bereavement and guilt. The pavement's role as both witness and accomplice to fatality is confirmed by private individuals who publicize their grief with death notices graffitied on the asphalt. To walk the city is to engage in a dialogue about death.
AB - The pavement lies like a ledger-stone on a tomb. Buried underneath are the remains of fertile landscapes and the life they once supported. Inscribed on its upper side are epitaphic writings. Whatever their ostensible purpose, memorial plaques and public artworks embedded in the pavement are ultimately expressions of civic bereavement and guilt. The pavement's role as both witness and accomplice to fatality is confirmed by private individuals who publicize their grief with death notices graffitied on the asphalt. To walk the city is to engage in a dialogue about death.
UR - http://handle.uws.edu.au:8081/1959.7/561770
UR - http://search.ebscohost.com/login.aspx?direct=true&db=sih&AN=47478522&site=ehost-live&scope=site
U2 - 10.3384/cu.2000.1525.09126453
DO - 10.3384/cu.2000.1525.09126453
M3 - Article
SN - 2000-1525
VL - 1
SP - 453
EP - 467
JO - Culture Unbound: Journal of Current Cultural Research
JF - Culture Unbound: Journal of Current Cultural Research
ER -