Abstract
The Nobel Prize in Literature and its significance. In April 2013, J.M. Coetzee visited China for the first time as a participant in the second China Australia Literary Forum, hosted by the Chinese Writers' Association (CWA). On the agenda was a meeting with Mo Yan, who had been awarded the 2012 Nobel Prize in Literature a few months earlier. A vice president of CWA, the official writers' union, Mo Yan was the first Chinese author to receive the honour" excepting, arguably, Gao Xingjian, to whom it was given in 2000: Chinese-born Gao, who writes in Chinese, was by that time a French citizen. China's "Nobel complex" has a long history, as explained by Julia Lovell in The Politics of Cultural Capital: China's Quest for a Nobel Prize in Literature (2006). Mo Yan's win, for which CWA and other state organs had worked hard, was a game-changer, assuaging Chinese cultural pride and hugely enhancing the author's celebrity. It was a big deal, then, when Coetzee, who had won the prestigious prize in 2003, agreed to appear on stage with the new laureate.
| Original language | English |
|---|---|
| Pages (from-to) | 451-472 |
| Number of pages | 22 |
| Journal | Texas Studies in Literature and Language |
| Volume | 58 |
| Issue number | 4 |
| DOIs | |
| Publication status | Published - 2016 |
Keywords
- Chinese literature
- Coetzee_J. M._1940,