Craveñho's universe

In early 2016, a writer from Western Sydney, let's call him Lucas Carmanito, expressed some opinions in Meanjin. It was a self-described 'screed'/'tirade' against"¦ well, a lot of people. Or, at least, a lot of figures standing in for people: '[those] with fantasies of finding a home amid [artists]', 'arts community dreamer', 'social arts hopeful', 'change makers', 'king creators', 'uninvited guardians of language', 'political animals', 'demi-gods of arts management', 'small masters of today', 'social climbers of the arts', 'anti-artists', 'phoneys', 'vampires in our midst', 'fakes', 'hucksters', 'devious characters', 'sly culture creepers', 'malignants', 'noxious weed-lingerers', 'Melbourne literati mafia', 'cultural gorillas', 'Melbourne-centred lit-scene mobsters', 'resident fakes', 'anti-art overlords', and 'cynical shysters'. That several of these figures evoke the kind of sharp-taking film character that talks about 'wise guys' was no coincidence.