Cultural capital and the cultural field in contemporary Britain

This paper presents a preliminary analysis of the survey components of an ESRC project on Cultural Capital and Social Exclusion focused on the relations of culture and class in contemporary Britain. It draws on the data produced by a national survey of the cultural activities, preferences and knowledges of 1700+ adult UK residents. Administered in 2003ââ"šÂ¬Ã¢â‚¬Å“4, the survey constitutes an expansion and revision of that used by Pierre Bourdieu in Distinction. In presenting this data, the paper examines the organisation and distribution of cultural capital in and across different components of the cultural field in contemporary Britain. Attention is paid to the art, music, literary and media fields, and to correlations of taste across these fields. In summarising the projectââ"šÂ¬Ã¢"žÂ¢s initial findings in these regards the paper also considers the respects in which they suggest the need to qualify aspects of Pierre Bourdieuââ"šÂ¬Ã¢"žÂ¢s account of cultural capital. Their bearing on subsequent debates - Richard Petersonââ"šÂ¬Ã¢"žÂ¢s account of omnivorous taste culture, for example - is also considered.