Abstract
This article explores some case studies of science fiction narratives concerning human-made worldwide catastrophes (i.e. The Day the Earth Stood Still, I Am Legend, Dawn of the Dead) that have been made and re-made since World War II. It analyses how the notion of risk has changed over this period of time, the degree of human responsibility for these post-World War II catastrophes and how religion, which has not been their root cause, is now being offered as a subtle 'way out'. The article discovers key differences between narratives on risk in popular culture from the modern and late modern periods.
| Original language | English |
|---|---|
| Pages (from-to) | 94-113 |
| Number of pages | 20 |
| Journal | Journal for the Academic Study of Religion |
| Volume | 27 |
| Issue number | 1 |
| DOIs | |
| Publication status | Published - 2014 |
Fingerprint
Dive into the research topics of 'Cultural framing of risk and religion within science fiction narratives'. Together they form a unique fingerprint.Cite this
- APA
- Author
- BIBTEX
- Harvard
- Standard
- RIS
- Vancouver