Abstract
There are many challenges for those who move from one country to settle in another. Since 2001, I have investigated the issue of gain from loss in the Chinese community of Sydney. Noting the wealth of musical genres at both community and professional levels, I decided to focus on three groups that have responded to the issue of cultural loss in diverse, yet similar ways. These groups are the Australian Catholic Chinese Community (ACCC), the Buddha’s Light International Association, Sydney (BLIA SYD), and the Australian Chinese Teo Chew Association (ACTCA), three collectivities within the larger Australian Chinese community of Sydney. These ethno-specific organisations comprise Chinese immigrants and their descendents with diverse migration histories and settlement patterns. Countries of origin range from Mainland China, Taiwan and the Hong Kong Semi-Autonomous Region (SAR) to Laos, Cambodia, Vietnam, Singapore, Malaysia and Timor-Leste. Drawing inspiration from Salman Rushdie’s Imaginary Homelands: Essays and criticism, 1981–1991, this paper will show that where there might be considerable loss through the migratory process, there is also much that can be gained. My study applies to Chinese Australians who have chosen to create a new home in Australia, rather than diasporans who might be classed as ‘cosmopolitans’ in their constant movement from country to country.
Original language | English |
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Pages (from-to) | 111-124 |
Number of pages | 14 |
Journal | Humanities Research |
Volume | 19 |
Issue number | 3 |
Publication status | Published - 2013 |
Keywords
- Chinese
- immigrants
- Chinese Australians
- grief
- culture
- music