Abstract
Computational processes which produce metahuman as well as seemingly-human outputs are of interest. Such outputs may become apparently human as they become familiar. So I write algorithmic interfaces (often in MAXMSPJitter) for real-time performative generation of complex musicaVvisual features, to be part of compositions or improvisations. Here I demonstrate a musical system to generate serial 12-tone rows, their standard transforms, and then to assemble them into melodic sequences, or into two part meta-pianistic performances.
| Original language | English |
|---|---|
| Title of host publication | Proceedings of the Fourth International Conference on Computational Creativity: ICCC 2013: 12 – 14 June 2013, Sydney, Australia |
| Publisher | University of Sydney |
| Pages | 225-225 |
| Number of pages | 1 |
| ISBN (Print) | 9781742103174 |
| Publication status | Published - 2013 |
| Event | International Conference on Computational Creativity - Duration: 1 Jan 2013 → … |
Conference
| Conference | International Conference on Computational Creativity |
|---|---|
| Period | 1/01/13 → … |
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