Doc Martin and comedy, with an Hegelian twist

Buffalo Pictures’ long-running television series Doc Martin (ITV, 2004–22) has recently concluded, eighteen years since production began. Filmed every second year – excepting COVID interruption – in idyllic Cornwall, the show begins with exceptional but irascible London vascular surgeon, Martin Ellingham (Martin Clunes), moving into the fictional fishing village of Portwenn as local GP. This show, with its 79 episodes, weaves together situation comedy, medical mystery, drama and idiosyncratic romance. In this article I want to explore layers of comedy in this long-running ‘dramedy’ by heuristically deploying the comedy theory taught by Hegel in his Lectures on Aesthetics. By reference to the ‘three forms of comic action’ found in Hegel’s lectures – the comedies of ‘coincidence’, ‘reduction’ and ‘negation’, to adopt Mark Roche’s terminology – I aim to show how this television serial uses humour to raise questions about what is existentially meaningful within human experience; test the usefulness of Hegel’s ideas on comedy for analysis of contemporary forms of media such as television and film; and contribute to literature on the nature of comedy in television serials, particularly those that utilise situation comedy.