Abstract
We compare three contrasting models of the perceived distance between root-position major and minor chords and test them against new empirical data. The models include a recent psychoacoustic model called spectral pitch-class distance, and two well-established music theoretical models – Tonnetz distance and voice-leading distance. To allow a principled challenge, in the context of these data, of the assumptions behind each of the models, we compare them with a simple “benchmark” model that simply counts the number of common tones between chords. Spectral pitch-class distance and Tonnetz have the highest correlations with the experimental data and each other, and perform significantly better than the benchmark. The voice-leading model performs worse than the benchmark. We suggest that spectral pitch-class distance provides a psychoacoustic explanation for perceived triadic distance and its music theory representation, the Tonnetz. The experimental data and the computational models are available in the online supplement.
Original language | English |
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Pages (from-to) | 59-85 |
Number of pages | 28 |
Journal | Journal of Mathematics and Music |
Volume | 10 |
Issue number | 1 |
DOIs | |
Publication status | Published - 2016 |
Keywords
- chords (music)
- harmony
- musical pitch