Abstract
Music performance is typically a collective affair, with multiple individuals coming together in ensembles of varying size and composition. Although aesthetic and social goals of ensemble performance may vary as a function of piece, genre, socio-cultural context, and performers' predilections, ensemble musicians commonly aim to communicate information about musical structure and expressive intentions to co-performers and audience members. As in solo performance, this aim is pursued by deliberately introducing variations in performance parameters such as tempo, intensity, articulation, and sound quality. The special challenge for ensemble performers, however, is that these expressive devices are no longer merely a matter of individual variation, but rather of inter-individual co-variation.
| Original language | English |
|---|---|
| Title of host publication | Expressivenss in Music Performance: Empirical Approaches Across Styles and Cultures |
| Editors | Dorottya Fabian, Renee Timmers, Emery Schuber |
| Place of Publication | U.S. |
| Publisher | Oxford University Press |
| Pages | 260-282 |
| Number of pages | 23 |
| ISBN (Print) | 9780199659647 |
| Publication status | Published - 2014 |
Fingerprint
Dive into the research topics of 'Ensemble performance : interpersonal alignment of musical expression'. Together they form a unique fingerprint.Cite this
- APA
- Author
- BIBTEX
- Harvard
- Standard
- RIS
- Vancouver