Film theory

Roger Dawkins; Hamish Ford; Lisa Trahair

doi:10.1093/ywcct/mbl018

Film theory

Roger Dawkins, Hamish Ford, Lisa Trahair

Western Sydney University

Research output: Contribution to journal › Article › peer-review

Abstract

Leo Bersani and Ulysse Dutoit's book Forms of Being: Cinema, Aesthetics and Subjectivity theorizes a set of relationships between the body, cinema and ethics by an examination of the notion of non-identity. The book's three substantive chapters each focus on how non-identity is articulated in a particular film.

Original language	English
Pages (from-to)	311-335
Number of pages	25
Journal	Year’s Work in Critical and Cultural Theory
Volume	14
Issue number	1
DOIs	https://doi.org/10.1093/ywcct/mbl018
Publication status	Published - 2006

Keywords

motion pictures
philosophy

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10.1093/ywcct/mbl018

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abstract = "Leo Bersani and Ulysse Dutoit's book Forms of Being: Cinema, Aesthetics and Subjectivity theorizes a set of relationships between the body, cinema and ethics by an examination of the notion of non-identity. The book's three substantive chapters each focus on how non-identity is articulated in a particular film.",

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AB - Leo Bersani and Ulysse Dutoit's book Forms of Being: Cinema, Aesthetics and Subjectivity theorizes a set of relationships between the body, cinema and ethics by an examination of the notion of non-identity. The book's three substantive chapters each focus on how non-identity is articulated in a particular film.

KW - motion pictures

KW - philosophy

UR - http://handle.uws.edu.au:8081/1959.7/uws:35845

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Film theory

Abstract

Keywords

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