From offworld colonies to migration zones : Blade Runner and the fractured subject of jurisprudence.

Peter Hutchings

From offworld colonies to migration zones : Blade Runner and the fractured subject of jurisprudence.

Peter Hutchings

Research output: Contribution to journal › Article

7 Citations (Scopus)

Abstract

Looking again at Blade Runner (dir. Ridley Scott, 1982) - after Tampa, after 9/11 - 2019 seems all too close to 2003. AustraliaÃƒÂ¢Ã¢"šÂ¬Ã¢"žÂ¢s Christmas Island, AmericaÃƒÂ¢Ã¢"šÂ¬Ã¢"žÂ¢s GuantÃƒÆ’Ã†'Ãƒ"šÃ†'ÃƒÆ’Ã¢â‚¬Å¡Ãƒ"šÃ‚ namo Bay are our offworld colonies, and the disposable ÃƒÂ¢Ã¢"šÂ¬Ã…"skinjobsÃƒÂ¢Ã¢"šÂ¬Ã‚Â come in a variety of darker colours than those of ScottÃƒÂ¢Ã¢"šÂ¬Ã¢"žÂ¢s film. Through a re-reading of Blade Runner, this paper argues that the theory of right which would be adequate to such a world is the right of the outlaw, for this is a world in which right is subject to power, in which state ÃƒÂ¢Ã¢"šÂ¬Ã…"lawÃƒÂ¢Ã¢"šÂ¬Ã‚Â undoes and exceeds its own foundations.

Original language	English
Number of pages	17
Journal	Law\, Culture and the Humanities
Publication status	Published - 2007

Keywords

Blade Runner (motion picture)
administration of justice
emigration and immigration
political refugees
refugees
social aspects

Cite this

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keywords = "Blade Runner (motion picture), administration of justice, emigration and immigration, political refugees, refugees, social aspects",

author = "Peter Hutchings",

year = "2007",

language = "English",

journal = "Law\, Culture and the Humanities",

issn = "1743-8721",

publisher = "SAGE Publications Ltd",

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AU - Hutchings, Peter

PY - 2007

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N2 - Looking again at Blade Runner (dir. Ridley Scott, 1982) - after Tampa, after 9/11 - 2019 seems all too close to 2003. AustraliaÃƒÂ¢Ã¢"šÂ¬Ã¢"žÂ¢s Christmas Island, AmericaÃƒÂ¢Ã¢"šÂ¬Ã¢"žÂ¢s GuantÃƒÆ’Ã†'Ãƒ"šÃ†'ÃƒÆ’Ã¢â‚¬Å¡Ãƒ"šÃ‚ namo Bay are our offworld colonies, and the disposable ÃƒÂ¢Ã¢"šÂ¬Ã…"skinjobsÃƒÂ¢Ã¢"šÂ¬Ã‚Â come in a variety of darker colours than those of ScottÃƒÂ¢Ã¢"šÂ¬Ã¢"žÂ¢s film. Through a re-reading of Blade Runner, this paper argues that the theory of right which would be adequate to such a world is the right of the outlaw, for this is a world in which right is subject to power, in which state ÃƒÂ¢Ã¢"šÂ¬Ã…"lawÃƒÂ¢Ã¢"šÂ¬Ã‚Â undoes and exceeds its own foundations.

AB - Looking again at Blade Runner (dir. Ridley Scott, 1982) - after Tampa, after 9/11 - 2019 seems all too close to 2003. AustraliaÃƒÂ¢Ã¢"šÂ¬Ã¢"žÂ¢s Christmas Island, AmericaÃƒÂ¢Ã¢"šÂ¬Ã¢"žÂ¢s GuantÃƒÆ’Ã†'Ãƒ"šÃ†'ÃƒÆ’Ã¢â‚¬Å¡Ãƒ"šÃ‚ namo Bay are our offworld colonies, and the disposable ÃƒÂ¢Ã¢"šÂ¬Ã…"skinjobsÃƒÂ¢Ã¢"šÂ¬Ã‚Â come in a variety of darker colours than those of ScottÃƒÂ¢Ã¢"šÂ¬Ã¢"žÂ¢s film. Through a re-reading of Blade Runner, this paper argues that the theory of right which would be adequate to such a world is the right of the outlaw, for this is a world in which right is subject to power, in which state ÃƒÂ¢Ã¢"šÂ¬Ã…"lawÃƒÂ¢Ã¢"šÂ¬Ã‚Â undoes and exceeds its own foundations.

KW - Blade Runner (motion picture)

KW - administration of justice

KW - emigration and immigration

KW - political refugees

KW - refugees

KW - social aspects

UR - http://handle.uws.edu.au:8081/1959.7/36950

M3 - Article

SN - 1743-8721

JO - Law\, Culture and the Humanities

JF - Law\, Culture and the Humanities

ER -

From offworld colonies to migration zones : Blade Runner and the fractured subject of jurisprudence.

Abstract

Keywords

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