Abstract
Looking again at Blade Runner (dir. Ridley Scott, 1982) - after Tampa, after 9/11 - 2019 seems all too close to 2003. Australiaââ"šÂ¬Ã¢"žÂ¢s Christmas Island, Americaââ"šÂ¬Ã¢"žÂ¢s GuantÃÆ'Ã"šÃ†'ÂÃ"šÃ‚ namo Bay are our offworld colonies, and the disposable ââ"šÂ¬Ã…"skinjobsââ"šÂ¬Ã‚ come in a variety of darker colours than those of Scottââ"šÂ¬Ã¢"žÂ¢s film. Through a re-reading of Blade Runner, this paper argues that the theory of right which would be adequate to such a world is the right of the outlaw, for this is a world in which right is subject to power, in which state ââ"šÂ¬Ã…"lawââ"šÂ¬Ã‚ undoes and exceeds its own foundations.
| Original language | English |
|---|---|
| Number of pages | 17 |
| Journal | Law\, Culture and the Humanities |
| Publication status | Published - 2007 |
Keywords
- Blade Runner (motion picture)
- administration of justice
- emigration and immigration
- political refugees
- refugees
- social aspects
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