Abstract
I first visited Cronulla beach with some friends some years after 1 had settled in the Bankstown area of Sydney in 1971. Cronulla, we were told, was famous for its long sandy beach and surfing. The place was beautiful and spacious: I'll never forget the refreshing sensations as I took a dip into the waves that day. However, the place had a peculiar feeling that made me unable to relate to it. Indeed, I felt 'out of place': the bronzed bodies of the surfers With their long blond hair and their colourful surfing boards; the flag poles dug into the sand demarcating the area overseen by volunteer 'lifesavers'; the boat turned upside down at the bottom of the look-out tower and surrounded by 'lifesavers' with their distinguished caps and tanned and well-shaped bodies; and most significantly, the pub located nearby and separated from the beach by a road and a car park. Soon after our arrival, I realized that the beach was not somewhere I would feel 'at home' and I also came to the conclusion that I could not easily become part of the pub's life. Both places were spatially and symbolically dominated by cultural practices that were alien. On the beach, I could certainly lie on my towel and take a swim from time to time and, in the pub, I could enjoy a cold beer, but both acts were somehow 'outside' the rest of the scene, isolated and excluded.
Original language | English |
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Title of host publication | Lines in the Sand: The Cronulla Riots, Multiculturalism and National Belonging |
Editors | Gregory Noble |
Place of Publication | Sydney, N.S.W. |
Publisher | Institute of Criminology Press |
Pages | 232-251 |
Number of pages | 20 |
ISBN (Print) | 9780975196786 |
Publication status | Published - 2009 |