Abstract
New approaches to computer music interfaces must speak to the nature of 'instrument', that is, it must be understood that the interface binds to a complex musical phenomenon. This paper explores the nature of engagement, the point of performance that occurs when a human being engages with a computer based instrument. It asks questions about the nature of the instrument in computer music and offers some conceptual models for the mapping of gesture to sonic outcomes.
| Original language | English |
|---|---|
| Title of host publication | Image, Text and Sound 2004: The Yet Unseen: Rendering Stories |
| Publisher | RMIT University |
| Number of pages | 1 |
| ISBN (Print) | 0864593546 |
| Publication status | Published - 2004 |
| Event | Image, Text and Sound - Duration: 1 Jan 2004 → … |
Conference
| Conference | Image, Text and Sound |
|---|---|
| Period | 1/01/04 → … |
Keywords
- computer music
- music
- performance
- musical intruments