Abstract
This article explores the infrastructures that allow the Australian Pentecostal megachurch Hillsong to expand into Brazil. Hillsong is a global religious phenomenon: it has branches in global cities, celebrities among its followers, and an award-winning worship band. Drawing on five years of multi-sited ethnography in Australia and Brazil, I analyse significant infrastructures" smart church buildings, hip soundscapes, and digital media" that enabled Hillsong to establish itself in Brazil. I show that such technologies comprise an architecture through which Hillsong's 'Cool Christianity' circulates. I argue that these infrastructures communicate success, excitement, modernity, and cosmopolitanism to young middle-class Brazilians who aspire to break with the local conservative Pentecostalism that caters for the poor. Here, I call for a focus on human and nonhuman actors and infrastructures that move religion across borders, and a special attention to how imagination and power differentials shape mobility and immobility.
| Original language | English |
|---|---|
| Pages (from-to) | 245-257 |
| Number of pages | 13 |
| Journal | Social Compass |
| Volume | 68 |
| Issue number | 2 |
| DOIs | |
| Publication status | Published - Jun 2021 |
Bibliographical note
Publisher Copyright:© The Author(s) 2021.