Abstract
Like stills from the sets of movies, Stacey’s images offer us fragments of untold narratives. Intimate and enigmatic moments glimpse the plethora of stories we can only imagine might play out within a hotel rooms’ four walls: the melodramas of domestics, the passionate professions of love, and the time-slowing boredom and loneliness that might accompany a life spent in endless waiting. Through the theatrical and distorted view of camera obscura is revealed a roving, fragmented and homogenized portrait of contemporary life. But by imbuing the transitory with the timeless, Stacey suggests that behind these closed, generic doors, we may all be looking outwards, seeking moments of beauty, clarity and meaningful connection.
Original language | English |
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Place of Publication | Paddington, N.S.W. |
Publisher | Spectrum, Sydney Morning Herald, Internet |
Size | 14 photographs |
Publication status | Published - 2013 |