Abstract
Caleb Williams, one of the authors in this collection of essays, laments the loss of what he calls “thick description” in contemporary museum exhibition interpretation: If much of the writing in this 300-page book is an example of what Williams calls “thick description,” then I celebrate its passing. As I slogged through the texts, often having to reread them several times to find the core idea, I realized that this was not primarily for those of us who create the exhibitions and programs in museums, but for social theorists and cultural critics with a penchant for Foucault and fluent in the jargon of the academy. And this is such a shame, because some of the ideas and analysis embedded within all the thick description are new and insight-ful, and could actually provoke deeper conversation and insights among practitioners.
| Original language | English |
|---|---|
| Title of host publication | Contemporary Music Tourism |
| Subtitle of host publication | A Theory of Musical Topophilia |
| Publisher | Taylor & Francis |
| Pages | 235-238 |
| Number of pages | 4 |
| ISBN (Electronic) | 9781315420004 |
| ISBN (Print) | 9781598749991 |
| Publication status | Published - 1 Jan 2016 |
| Externally published | Yes |
Bibliographical note
Publisher Copyright:© 2011 Taylor and Francis.
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