Abstract
This particular essay looks at the mechanisms of trade book publishing, which, in the internet age, has sought increasingly to co-opt the sphere of judgement so as to ensure a benign cloud of positivity around priority titles. These are the so-called Big Books. To demonstrate the extent of the well-resourced PR departments of multinational publishers, Critic Watch tracked online the process of promoting Hannah kent's Burial Rites, a debut by a young novelist from Adelaide that secured a large advance.
| Original language | English |
|---|---|
| Title of host publication | The Return of Print?: Contemporary Australian Publishing |
| Editors | Aaron Mannion, Emmett Stinson |
| Place of Publication | Clayton, Vic. |
| Publisher | Monash University Publishing |
| Pages | 115-135 |
| Number of pages | 21 |
| ISBN (Electronic) | 9781925495317 |
| ISBN (Print) | 9781925495294 |
| Publication status | Published - 2016 |
Keywords
- book industries and trade
- publishers and publishing
- marketing