Abstract
Computer music offers possibilities for music-making that can hardly be achieved through other means. These possibilities commune between real-time creation in improvisation or other forms of interactive performance, production of scores for others to perform, and acousmatic composition. This article gives some perspectives on the scope and futures of computer music. Computer music has passed its fiftieth anniversary and is part of a slightly longer tradition of electroacoustic music. This article provides a broad introduction to the whole electroacoustic field and its history, but its explicit emphasis is on computer music in the period since the 1980s during which the Yamaha DX7 synthesizer and the availability of desktop (and later laptop) computers at prices individuals could afford meant that the practice of computer music was no longer restricted to those who could access a mainframe computer.
| Original language | English |
|---|---|
| Title of host publication | The Oxford Handbook of Computer Music |
| Publisher | Oxford University Press |
| ISBN (Electronic) | 9780199940233 |
| ISBN (Print) | 9780199792030 |
| DOIs | |
| Publication status | Published - 18 Sept 2012 |
Bibliographical note
Publisher Copyright:© 2009 by Oxford University Press, Inc. All rights reserved.
Keywords
- Computer music
- Desktop computers
- Electroacoustic music
- Mainframe computer
- Yamaha dx7 synthesizer
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