TY - ADVS
T1 - Jacaranda Dreamscape
T2 - Gardens: Fragments of Life and Loss
AU - Robba, Leo
PY - 2020
Y1 - 2020
N2 - Fragments: Life and Loss is an artistic enquiry that systematically explores themes of memory, impermanence, and transformation through the motif of the garden. Drawing upon visual language and observational practices, the body of work investigates how natural environments serve as metaphors for human experience, particularly in relation to loss and regeneration. The paintings communicate knowledge by documenting and interpreting the cyclical processes of change and adaptation in nature, offering insights into how landscapes reflect emotional and cultural memory. This body of work contributes to interdisciplinary dialogues between art, ecology, and the human condition through a methodical engagement with site, material, and temporality.This painting aims to heighten the viewer’s experience via an active foreground and the shifting contrast of golden light and dark dappled shadows. The view is then reframed by the two opposing dark tree forms which is a formal compositional device used to invite the viewer into the space. The small central bush – its exuberance is personified to draw the viewers’ attention to the strong horizontal in the midground that bisects the composition. The trees on the left and right help to reframe the composition.
AB - Fragments: Life and Loss is an artistic enquiry that systematically explores themes of memory, impermanence, and transformation through the motif of the garden. Drawing upon visual language and observational practices, the body of work investigates how natural environments serve as metaphors for human experience, particularly in relation to loss and regeneration. The paintings communicate knowledge by documenting and interpreting the cyclical processes of change and adaptation in nature, offering insights into how landscapes reflect emotional and cultural memory. This body of work contributes to interdisciplinary dialogues between art, ecology, and the human condition through a methodical engagement with site, material, and temporality.This painting aims to heighten the viewer’s experience via an active foreground and the shifting contrast of golden light and dark dappled shadows. The view is then reframed by the two opposing dark tree forms which is a formal compositional device used to invite the viewer into the space. The small central bush – its exuberance is personified to draw the viewers’ attention to the strong horizontal in the midground that bisects the composition. The trees on the left and right help to reframe the composition.
UR - https://online.fliphtml5.com/rprn/vlxx/#p=13
M3 - Visual artwork
PB - King Street Gallery on William, Darlinghurst, Sydney, N.S.W.
ER -