Abstract
This paper addresses a mode of thinking that, it is argued, is manifested in Max Deutscherââ"šÂ¬Ã¢"žÂ¢s oeuvre. It explores the intricacies inherent in the ââ"šÂ¬Ã‹Å“singular thoughtfulnessââ"šÂ¬Ã¢"žÂ¢ of Deutscher, intricacies that emerge through his use of imagery in its connection with the subject matter with which he deals. The paper challenges the idiom of obvious associations and moves towards an appreciation of Deutscher in his judicious balance of his experience and thinking as well as a correlative balance of certainty and uncertainty, all contrasted on a ground of confidence and its intensified over-confidence. The paper employs an imagery of its own in order to highlight Deutscherââ"šÂ¬Ã¢"žÂ¢s peculiar use of everyday images in his work. Thus figures as diverse as Whitehead, Proust and Sand are woven into the fabric both in order to support and to distinguish Deutscherââ"šÂ¬Ã¢"žÂ¢s thought. The paper was first presented as a fifteen minute presentation: the object here is to retain a quality of brevity, swiftness and economy: all features of Max Deutscher in his extensive writings.
Original language | English |
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Pages (from-to) | 65-70 |
Number of pages | 5 |
Journal | Crossroads: an Interdisciplinary Journal for the Study of History\, Philosophy\, Religion and Classics |
Volume | 4 |
Issue number | 1 |
Publication status | Published - 2009 |
Keywords
- consciousness
- human relationships
- imagery
- mental health
- philosophy