Abstract
Once we understand the cogito of Geulincx and his interpretation of the cogito of Descartes, it is evident that, although Beckett plays also with the system of Descartes, the Geulincx system is much nearer the image of thinking as The Unnameable presents it and that so the chiaro oscuro of playing with knowledge and ignorance in Beckett's art becomes much more clear.
| Translated title of the contribution | Image of thought: Cogito nescio (I think I do not know) |
|---|---|
| Original language | French |
| Pages (from-to) | 281-293 |
| Number of pages | 13 |
| Journal | Samuel Beckett Today - Aujourd’hui |
| Volume | 17 |
| DOIs | |
| Publication status | Published - 2007 |
| Externally published | Yes |