Abstract
Gilles Deleuze's theories of film have long held a strange position within the fields of film studies and philosophy: While rather ideosyncratic, Deleuze's theories are often ignored due to the very breadth of his project -- including both his own criticism and his collaborations with Felix Guattari. Similarly, Christian Metz, drawing even more strictly from linguistics in his analysis of film, has inhabited a nebulous position. Bringing these two theorists together through an analysis of Deleuze's appropriation (and dismissal) of Metz, Roger Dawkins redefines the project of film theory, situating it with a foundation in Deleuze's clarification of language in the cinema.
Original language | English |
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Number of pages | 8 |
Journal | Reconstruction: studies in contemporary culture |
Volume | 2 |
Issue number | 2 |
Publication status | Published - 2002 |
Keywords
- Deleuze, Gilles, 1925-1995
- motion pictures
- philosophy