Mehi, Bent Trees: Moree, Mehi After the Flood: The Painted River Project

Painted en plein air on the banks of the Mehi River this work aims to capture the river landscape through the river gums which provide protection against erosion and vital habitat for birds and other native wildlife. The tree forms in the foreground which dominate the composition have been done to create a sense movement and contrast against the brighter colours of the river.

The artworks created as part of the Moree’s Painted River Project field study included original paintings and drawings that directly emerged from journeys into the north-western districts of NSW. These creative explorations involved on-site investigations of the environment, with artists responding directly to what is observed and from in-depth discussions with scientific experts about the many pressures facing these fragile eco-systems. Upon returning to the studio, new artifacts were created building upon the place-based en plein air investigation. These studio works delve into reinterpreting light, offering a space for contemplation and a means of pushing the boundaries of en plein air traditions. The goal is to go beyond conventional landscape representations by developing the metaphorical potential based on first-hand interaction with the sites and to discover innovative ways of cultural expression.