Abstract
This painting of the Mehi river seeks to convey the atmospherics of morning light while looking down into the river which holds cultural significance for the Gomeroi people. The bank in the foreground has been eroded and changed – the result of agricultural development and through the impacts of flooding. This was a focus of the field study and the rational for the exhibition.
| Original language | English |
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| Publisher | Western Sydney University, Monash Sustainability Institute, and Bank Art Museum Moree |
| Publication status | Published - 1 Sept 2022 |
| Event | Moree, Mehi After the Flood: The Painted River Project Exhibition - Bank Arts Museum Moree, Moree, Australia Duration: 14 Jan 2022 → 12 Feb 2022 |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 6 Clean Water and Sanitation
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SDG 15 Life on Land
Fingerprint
Dive into the research topics of 'Mehi, Blue Morning: Moree: Mehi After the Flood'. Together they form a unique fingerprint.-
Bent Tree, Afternoon, Mehi River: Moree: Mehi After the Flood
Robba, L. (Designer), 1 Sept 2022Research output: Creative Works › Visual artwork
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Mehi, Bent Trees: Moree, Mehi After the Flood: The Painted River Project
Robba, L. (Designer), 1 Sept 2022Research output: Creative Works › Visual artwork
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Moree, Mehi After the Flood: The Art of Planetary Health
Robba, L. (Editor), Wright, I. (Editor), Tuart, K. (Editor), Vickerman, S. (Editor) & Allen, J. (Editor), Sept 2022, Western Sydney University, Monash Sustainability Institute, and Bank Art Museum Moree. 77 p.Research output: Book/Research Report › Edited Book
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