Monster mines, dugouts, and abandoned villages : a composite narrative of Burra's heritage

In a bid to join recent efforts to develop innovative approaches to heritage, this article argues that adopting a collaborative mode of inquiry is a useful way of coming to terms with the plurality of ways heritage landscapes are enlivened by their visitors. It also points to some of the advantages of incorporating researchers’ personal experiences into academic research. With a focus on the Burra Heritage Trail in South Australia (geared around the Burra Heritage Passport), the article brings together four sets of research experiences, each informed by different (though cognisant) disciplinary backgrounds: art history, anthropology, heritage studies, and tourism planning. The result is a form of experimental autoethnographic writing in which four voices reflect upon their embodied, sensuous, and mobile experiences as ‘tourist’ moving through the same places, thereby offering multiple ways of knowing and telling about a single setting.