Movement in a contemporary dance work and its relation to continuous emotional response

Sam Ferguson; Emery Schubert; Catherine Stevens

Movement in a contemporary dance work and its relation to continuous emotional response

Sam Ferguson, Emery Schubert, Catherine Stevens

Research output: Chapter in Book / Conference Paper › Conference Paper › peer-review

4 Citations (Scopus)

Abstract

In this paper, we describe a comparison between parameters drawn from 3-dimensional measurement of a dance performance, and continuous emotional response data recorded from an audience present during this performance. A continuous time series representing the mean movement as the dance unfolds is extracted from the 3-dimensional data. The audiences' continuous emotional response data are also represented as a time series, and the series are compared. We concluded that movement in the dance performance directly influences the emotional arousal response of the audience.

Original language	English
Title of host publication	Proceedings of the 2010 Conference on New Interfaces for Musical Expression (NIME 2010), University of Technology, Sydney, 15-18 June 2010
Publisher	University of Technology, Sydney
Pages	481-484
Number of pages	4
ISBN (Print)	9780646534824
Publication status	Published - 2010
Event	International Conference on New Interfaces for Musical Expression (NIME) - Duration: 1 Jan 2010 → …

Conference

Conference	International Conference on New Interfaces for Musical Expression (NIME)
Period	1/01/10 → …

Keywords

audiences
dance

Cite this

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title = "Movement in a contemporary dance work and its relation to continuous emotional response",

abstract = "In this paper, we describe a comparison between parameters drawn from 3-dimensional measurement of a dance performance, and continuous emotional response data recorded from an audience present during this performance. A continuous time series representing the mean movement as the dance unfolds is extracted from the 3-dimensional data. The audiences' continuous emotional response data are also represented as a time series, and the series are compared. We concluded that movement in the dance performance directly influences the emotional arousal response of the audience.",

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Ferguson, S, Schubert, E & Stevens, C 2010, Movement in a contemporary dance work and its relation to continuous emotional response. in Proceedings of the 2010 Conference on New Interfaces for Musical Expression (NIME 2010), University of Technology, Sydney, 15-18 June 2010. University of Technology, Sydney, pp. 481-484, International Conference on New Interfaces for Musical Expression (NIME), 1/01/10.

Movement in a contemporary dance work and its relation to continuous emotional response. / Ferguson, Sam; Schubert, Emery; Stevens, Catherine.
Proceedings of the 2010 Conference on New Interfaces for Musical Expression (NIME 2010), University of Technology, Sydney, 15-18 June 2010. University of Technology, Sydney, 2010. p. 481-484.

Research output: Chapter in Book / Conference Paper › Conference Paper › peer-review

TY - GEN

T1 - Movement in a contemporary dance work and its relation to continuous emotional response

AU - Ferguson, Sam

AU - Schubert, Emery

AU - Stevens, Catherine

PY - 2010

Y1 - 2010

N2 - In this paper, we describe a comparison between parameters drawn from 3-dimensional measurement of a dance performance, and continuous emotional response data recorded from an audience present during this performance. A continuous time series representing the mean movement as the dance unfolds is extracted from the 3-dimensional data. The audiences' continuous emotional response data are also represented as a time series, and the series are compared. We concluded that movement in the dance performance directly influences the emotional arousal response of the audience.

AB - In this paper, we describe a comparison between parameters drawn from 3-dimensional measurement of a dance performance, and continuous emotional response data recorded from an audience present during this performance. A continuous time series representing the mean movement as the dance unfolds is extracted from the 3-dimensional data. The audiences' continuous emotional response data are also represented as a time series, and the series are compared. We concluded that movement in the dance performance directly influences the emotional arousal response of the audience.

KW - audiences

KW - dance

UR - http://handle.uws.edu.au:8081/1959.7/504397

M3 - Conference Paper

SN - 9780646534824

SP - 481

EP - 484

BT - Proceedings of the 2010 Conference on New Interfaces for Musical Expression (NIME 2010), University of Technology, Sydney, 15-18 June 2010

PB - University of Technology, Sydney

T2 - International Conference on New Interfaces for Musical Expression (NIME)

Y2 - 1 January 2010

ER -

Movement in a contemporary dance work and its relation to continuous emotional response

Abstract

Conference

Keywords

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