Movement in a contemporary dance work and its relation to continuous emotional response

Sam Ferguson; Emery Schubert; Catherine Stevens

Movement in a contemporary dance work and its relation to continuous emotional response

Sam Ferguson, Emery Schubert, Catherine Stevens

Research output: Chapter in Book / Conference Paper › Conference Paper

Abstract

![CDATA[In this paper, we describe a comparison between parameters drawn from 3-dimensional measurement of a dance performance, and continuous emotional response data recorded from an audience present during this performance. A continuous time series representing the mean movement as the dance unfolds is extracted from the 3-dimensional data. The audiences’ continuous emotional response data are also represented as a time series, and the series are compared. We concluded that movement in the dance performance directly influences the emotional arousal response of the audience.]]

Original language	English
Title of host publication	Proceedings of the 2010 Conference on New Interfaces for Musical Expression (NIME 2010), University of Technology, Sydney, 15-18 June 2010
Publisher	University of Technology, Sydney
Pages	481-484
Number of pages	4
ISBN (Print)	9780646534824
Publication status	Published - 2010
Event	International Conference on New Interfaces for Musical Expression (NIME) - Duration: 1 Jan 2010 → …

Conference

Conference	International Conference on New Interfaces for Musical Expression (NIME)
Period	1/01/10 → …

Keywords

audiences
dance

Cite this

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title = "Movement in a contemporary dance work and its relation to continuous emotional response",

abstract = "![CDATA[In this paper, we describe a comparison between parameters drawn from 3-dimensional measurement of a dance performance, and continuous emotional response data recorded from an audience present during this performance. A continuous time series representing the mean movement as the dance unfolds is extracted from the 3-dimensional data. The audiences{\textquoteright} continuous emotional response data are also represented as a time series, and the series are compared. We concluded that movement in the dance performance directly influences the emotional arousal response of the audience.]]",

keywords = "audiences, dance",

author = "Sam Ferguson and Emery Schubert and Catherine Stevens",

year = "2010",

language = "English",

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pages = "481--484",

booktitle = "Proceedings of the 2010 Conference on New Interfaces for Musical Expression (NIME 2010), University of Technology, Sydney, 15-18 June 2010",

publisher = "University of Technology, Sydney",

note = "International Conference on New Interfaces for Musical Expression (NIME) ; Conference date: 01-01-2010",

}

Ferguson, S, Schubert, E & Stevens, C 2010, Movement in a contemporary dance work and its relation to continuous emotional response. in Proceedings of the 2010 Conference on New Interfaces for Musical Expression (NIME 2010), University of Technology, Sydney, 15-18 June 2010. University of Technology, Sydney, pp. 481-484, International Conference on New Interfaces for Musical Expression (NIME), 1/01/10.

Movement in a contemporary dance work and its relation to continuous emotional response. / Ferguson, Sam; Schubert, Emery; Stevens, Catherine.
Proceedings of the 2010 Conference on New Interfaces for Musical Expression (NIME 2010), University of Technology, Sydney, 15-18 June 2010. University of Technology, Sydney, 2010. p. 481-484.

Research output: Chapter in Book / Conference Paper › Conference Paper

TY - GEN

T1 - Movement in a contemporary dance work and its relation to continuous emotional response

AU - Ferguson, Sam

AU - Schubert, Emery

AU - Stevens, Catherine

PY - 2010

Y1 - 2010

N2 - ![CDATA[In this paper, we describe a comparison between parameters drawn from 3-dimensional measurement of a dance performance, and continuous emotional response data recorded from an audience present during this performance. A continuous time series representing the mean movement as the dance unfolds is extracted from the 3-dimensional data. The audiences’ continuous emotional response data are also represented as a time series, and the series are compared. We concluded that movement in the dance performance directly influences the emotional arousal response of the audience.]]

AB - ![CDATA[In this paper, we describe a comparison between parameters drawn from 3-dimensional measurement of a dance performance, and continuous emotional response data recorded from an audience present during this performance. A continuous time series representing the mean movement as the dance unfolds is extracted from the 3-dimensional data. The audiences’ continuous emotional response data are also represented as a time series, and the series are compared. We concluded that movement in the dance performance directly influences the emotional arousal response of the audience.]]

KW - audiences

KW - dance

UR - http://handle.uws.edu.au:8081/1959.7/504397

M3 - Conference Paper

SN - 9780646534824

SP - 481

EP - 484

BT - Proceedings of the 2010 Conference on New Interfaces for Musical Expression (NIME 2010), University of Technology, Sydney, 15-18 June 2010

PB - University of Technology, Sydney

T2 - International Conference on New Interfaces for Musical Expression (NIME)

Y2 - 1 January 2010

ER -

Movement in a contemporary dance work and its relation to continuous emotional response

Abstract

Conference

Keywords

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