Abstract
This article explores how a musical awareness of natural bodily form as an expression of receptive-responsive relationship between stillness and movement can contribute to co-creative dialogue and deep learning that reaches beyond the often superficial knowledge and praxis of intellectually constituted thought and language. It will draw especially on findings from research on the Kokas pedagogy an experiential extension of the Kodaly method of music education combining improvised movement and collective reflection. These findings highlight how the physical dimensions of this pedagogy cultivated new, embodied modes of creative ideation and connectivity, presenting unique challenges and opportunities in the observed educational contexts.
Original language | English |
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Pages (from-to) | 56-78 |
Number of pages | 23 |
Journal | Human Arenas |
Volume | 1 |
Issue number | 1 |
DOIs | |
Publication status | Published - 2018 |
Keywords
- creative thinking
- dance in education
- drama in education
- learning, psychology of
- movement
- music in education
- school children