Abstract
Never before in the history of representation have there been so many available ways for art to represent and to "frame" lives. At the same time, the explosion of biographical information that social media have enabled has demonstrated dramatically the illusionist basis of the enterprise of biographical containment. The very idea of "auto|biography" has in recent years broken out of its own conventional frames to enlist genres and modes of representation that have more commonly operated in other arenas or have played supporting roles, rather than taking center stage themselves, as they do in many of the biographical works considered in this collection of essays. Whether their focus is on cartoons, photographs, installations, graphic memoirs, films, games, or narrative texts, these essays rigorously explore and unravel the notion of "framing" as it applies to presenting and displaying lives.
| Original language | English |
|---|---|
| Pages (from-to) | 1-9 |
| Number of pages | 9 |
| Journal | Auto/Biography Studies |
| Volume | 29 |
| Issue number | 1 |
| DOIs | |
| Publication status | Published - 2014 |
Keywords
- autobiography
- culture
- literature
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