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Performativity and interactivity : concepts for framing the pedagogy of making

  • Ian Stevenson

    Research output: Chapter in Book / Conference PaperConference Paperpeer-review

    Abstract

    This paper describes the production of a space for making within the context of undergraduate music training. It outlines attempts to develop an integrated conceptual and pedagogical framework for making electronic music. It maps practical responses to the problems at the centre of the development and delivery of a second-year undergraduate subject in music technology entitled Machine Musicianship. Its central conceit is that concepts and problems can be productive and stimulate creativity.
    Original languageEnglish
    Title of host publicationACMC2015-MAKE!: Proceedings of the Annual Conference of the Australasian Computer Music Association, Hosted by the Faculty of Arts and Social Sciences, University of Technology Sydney, Wednesday 18th-Saturday 21st November 2015
    PublisherAustralasian Computer Music Association
    Pages108-111
    Number of pages4
    Publication statusPublished - 2015
    EventAustralasian Computer Music Conference -
    Duration: 18 Nov 2015 → …

    Publication series

    Name
    ISSN (Print)1448-7780

    Conference

    ConferenceAustralasian Computer Music Conference
    Period18/11/15 → …

    Keywords

    • electronic music
    • computer music
    • pedagogy

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