Abstract
Elaborating an automated scene for gesture, this chapter examines critical practices for performing automated imaging. Such practices performatively investigate the self-conditioning grammar of operation specific to the contemporary automated image. Within the foreclosed horizon of computational systems, the gesture of generative imaging amplifies and overexposes the logistical mediality of the automated image. The chapter enlists critical and creative computational 'methods' of simulation and automation within the performance of a 'fake' design agency's efforts to 'elevate' its clients' (AI-generated) 'look' in the logistics industry. These experiments performatively over-expose the banal, generic aesthetics, and logistical conditions in the production of contemporary automated images.
| Original language | English |
|---|---|
| Title of host publication | Choreomata |
| Subtitle of host publication | Performance and Performativity after AI |
| Editors | Roberto A. Trillo, Marek Poliks |
| Place of Publication | U.S. |
| Publisher | CRC Press |
| Pages | 47-73 |
| Number of pages | 27 |
| ISBN (Electronic) | 9781003819356 |
| ISBN (Print) | 9781032319988 |
| DOIs | |
| Publication status | Published - 2023 |
Bibliographical note
Publisher Copyright:© 2024 selection and editorial matter, Roberto Alonso Trillo and Marek Poliks.