Abstract
Built in 1948, the Surf Ballroom in Clear Lake (Iowa, United States) was a premiere national venue during the height of the swing era. Designed in the Streamline Moderne style with a South Seas-inspired interior, it featured a cloud machine that simulated a starry night sky above the stage and dance floor. It had a beach club atmosphere purpose-built for the dance culture of the time, and regularly featured big-band greats such as Count Basie, Duke Ellington, the Dorsey Brothers, Glenn Miller, Benny Goodman and Lawrence Welk. The Surf Ballroom's architecture represented a nationwide trend among ballrooms constructed in the 1930s and 1940s. 'The stainless steel, glass and curving lines of the Moderne reflected the prevailing music culture of "the swing" and was a stylistic reaction against the more intimate cabarets and nightclubs of the 1920s' (McDowell 2011).
| Original language | English |
|---|---|
| Title of host publication | Remembering Popular Music's Past: Memory-Heritage-History |
| Editors | Lauren Istvandity, Sarah Baker, Zelmarie Cantillon |
| Place of Publication | U.K. |
| Publisher | Anthem Press |
| Pages | 175-187 |
| Number of pages | 13 |
| ISBN (Electronic) | 9781783089703 |
| ISBN (Print) | 9781783089697 |
| DOIs | |
| Publication status | Published - 2019 |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
-
SDG 8 Decent Work and Economic Growth
-
SDG 11 Sustainable Cities and Communities
Keywords
- Clear Lake (Iowa)
- popular music
- ballrooms
Fingerprint
Dive into the research topics of 'Phenomenology of the surf ballroom's winter dance party : affect and community at a popular music heritage tourism event'. Together they form a unique fingerprint.Cite this
- APA
- Author
- BIBTEX
- Harvard
- Standard
- RIS
- Vancouver