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Phenomenology of the surf ballroom's winter dance party : affect and community at a popular music heritage tourism event

  • Sheryl Davis
  • , Sherry Davis
  • , Zelmarie Cantillon

Research output: Chapter in Book / Conference PaperChapter

Abstract

Built in 1948, the Surf Ballroom in Clear Lake (Iowa, United States) was a premiere national venue during the height of the swing era. Designed in the Streamline Moderne style with a South Seas-inspired interior, it featured a cloud machine that simulated a starry night sky above the stage and dance floor. It had a beach club atmosphere purpose-built for the dance culture of the time, and regularly featured big-band greats such as Count Basie, Duke Ellington, the Dorsey Brothers, Glenn Miller, Benny Goodman and Lawrence Welk. The Surf Ballroom's architecture represented a nationwide trend among ballrooms constructed in the 1930s and 1940s. 'The stainless steel, glass and curving lines of the Moderne reflected the prevailing music culture of "the swing" and was a stylistic reaction against the more intimate cabarets and nightclubs of the 1920s' (McDowell 2011).
Original languageEnglish
Title of host publicationRemembering Popular Music's Past: Memory-Heritage-History
EditorsLauren Istvandity, Sarah Baker, Zelmarie Cantillon
Place of PublicationU.K.
PublisherAnthem Press
Pages175-187
Number of pages13
ISBN (Electronic)9781783089703
ISBN (Print)9781783089697
DOIs
Publication statusPublished - 2019

UN SDGs

This output contributes to the following UN Sustainable Development Goals (SDGs)

  1. SDG 8 - Decent Work and Economic Growth
    SDG 8 Decent Work and Economic Growth
  2. SDG 11 - Sustainable Cities and Communities
    SDG 11 Sustainable Cities and Communities

Keywords

  • Clear Lake (Iowa)
  • popular music
  • ballrooms

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