Abstract
Performers of music are increasingly undertaking scholarly enquiry in the form if practice-led research. This can be about the stages in process of learning a work, or can be performers' analyses of specific works, offering other practitioners approaches and strategies for their own practice. In this paper, the pianist-authors found that other research involving the learning processes of musicians seldom examined specific pieces of music, and that limited attention had been devoted to the earliest stages of learning a stylistically challenging or new piece of art music. Through their learning experience of the piano piece Kumari, by Ross Edwards, including self-analysis and mutual interview, the authors have found that sharing preparation experiences and discussing differences in approach led to a clarification of the importance of textual understanding prior to note-learning, as well as fascinating similarities and differences of interpretation.
| Original language | English |
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| Title of host publication | The Musician in Creative and Educational Spaces of the 21st Century : Proceedings of the 18th International Seminar of the Commission for the Education of the Professional Musician (CEPROM) : Shanghai Conservatory of Music July 27-30, 2010 |
| Publisher | International Society for Music Education |
| Pages | 25-28 |
| Number of pages | 4 |
| ISBN (Print) | 9780980631067 |
| Publication status | Published - 2010 |
| Event | ISME Commission for the Education of the Professional Musician. International Seminar - Duration: 10 Jul 2012 → … |
Conference
| Conference | ISME Commission for the Education of the Professional Musician. International Seminar |
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| Period | 10/07/12 → … |
Keywords
- piano music