Abstract
The late-twentieth-century art form Responsive Environments comprised interrelations between artist, artwork, and audience, wherein responsivity and responsibility to an other, be it the social and/or physical environment of the artwork, could be tangibly evoked. Currently, such self-other understanding has become existentially critical, as the ecological and climate crisis collide with a new dearth of understanding concerning human-ecology and human-human responsivities and responsibilities. This article considers how Responsive Environments offered a unique means for exploring responsivity and responsibility between artist, artwork, and audience, and considers what the debates it once evoked might contribute to self-other relations in an age of human-induced planetary rupture, as expressed in climate crisis and mass extinction.
| Original language | English |
|---|---|
| Pages (from-to) | 23-28 |
| Number of pages | 6 |
| Journal | Leonardo |
| Volume | 58 |
| Issue number | 1 |
| DOIs | |
| Publication status | Published - Feb 2025 |