Some observations on visual representations of the 2009 Iranian presidential election crisis

Based on visual representations of the Iranian presidential election crisis of 2009, this article explores the idea of a relationship between the production of images related to crisis, trauma and the legitimacy of such online visual materials. While photos and cell phone video recordings taken in urban spaces bear witness to public acts and encounters, this article explores the role that visual images play in shaping political crisis. The article concludes that the production, purchase and also circulation of such visual materials should be at the center of any further research in this domain.