Abstract
This response considers whether it is possible to think of listening as a non-coercive alternative to ‘the gaze’. An attention to the work of ancient and modern thinkers provides a starting point for conceptualizing musical ‘possession’ in a way that is not bound to asymmetrical, subject–object relations.
Original language | English |
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Pages (from-to) | 39-43 |
Number of pages | 5 |
Journal | Journal of the Royal Musical Association |
Volume | 135 |
Issue number | Suppl. 1 |
DOIs | |
Publication status | Published - 2010 |
Externally published | Yes |