Abstract
This response considers whether it is possible to think of listening as a non-coercive alternative to 'the gaze'. An attention to the work of ancient and modern thinkers provides a starting point for conceptualizing musical 'possession' in a way that is not bound to asymmetrical, subject-object relations.
| Original language | English |
|---|---|
| Pages (from-to) | 39-43 |
| Number of pages | 5 |
| Journal | Journal of the Royal Musical Association |
| Volume | 135 |
| Issue number | Suppl. 1 |
| DOIs | |
| Publication status | Published - 2010 |
| Externally published | Yes |
Fingerprint
Dive into the research topics of 'Sound Gazes? Response to William Fitzgerald'. Together they form a unique fingerprint.Cite this
- APA
- Author
- BIBTEX
- Harvard
- Standard
- RIS
- Vancouver