Staging Maralinga and desiring community : (or why there is no such thing as a 'natural' community)

Though the concept of community crosses all political divides ââ"šÂ¬Ã¢â‚¬Å“ from the reactionary, progressive and radical ââ"šÂ¬Ã¢â‚¬Å“ it is a notion that is rarely problematized. Rather, ââ"šÂ¬Ã‹Å“communityââ"šÂ¬Ã¢"žÂ¢ is seen as something natural that emerges organically, reflecting all the elements of oxygen: it is unseen, cannot be felt unless it disappears and said to be vital for our survival. This paper raises concerns about such an approach, arguing it can lead to exclusion and divisiveness. Building on the arguments of Brent (in The desire for community: illusion, confusion and paradox, Community Development Journal, 39, (3), 213ââ"šÂ¬Ã¢â‚¬Å“223, 2004), I argue that community can only be created through ââ"šÂ¬Ã‹Å“reciprocatedââ"šÂ¬Ã¢"žÂ¢ desire. Using a community development project as a case study ââ"šÂ¬Ã¢â‚¬Å“ the stage production of ââ"šÂ¬Ã‹Å“Maralingaââ"šÂ¬Ã¢"žÂ¢, a story of nuclear veterans exposed to fallout ââ"šÂ¬Ã¢â‚¬Å“ I highlight how community building can fail and how desire for community can emerge from unexpected places.